Vaishnava Songbook
All the standard
songs and other bhajans
composed by the vaishnav âcâryas and others,
arranged to the original melodies.
with chords and running
translation
Version:
13 April 2006
By Album:
Alphabetical:
Arrangements of texts and chords by: Anand Aadhar Prabhu
site: http://bhagavata.org/
Album I
Traditional
Intro
(F C F C Dm Am F C )
(FI,
C)
HARE
KRISHNA, HARE KRISHNA
(GI,
C)
KRISHNA
KRISHNA, HARE HARE
(Dm I, Am)
HARE
RÂMA, HARE RÂMA,
(GIII,
CII)
RÂMA RÂMA, HARE HARE R
(CI,
C)
HARE
KRISHNA, HARE KRISHNA
(FI, C)
KRISHNA
KRISHNA, HARE HARE
(Dm I, Am)
HARE
RÂMA, HARE RÂMA,
(GIII, CII)
RÂMA
RÂMA, HARE HARE
R
(F Dm G
Em Am F Dm6 G)
*
(FI,
C)
HARE
KRISHNA, HARE KRISHNA
(GI,
C)
KRISHNA
KRISHNA, HARE HARE
(DmI, Am)
HARE
RÂMA, HARE RÂMA,
(GIII,
CII)
RÂMA RÂMA, HARE HARE R
(FI,
C)
HARE
KRISHNA, HARE KRISHNA
(FI, C)
KRISHNA
KRISHNA, HARE HARE
(DmI, Am)
HARE
RÂMA, HARE RÂMA,
(GIII, CII)
RÂMA
RÂMA, HARE HARE
R
Exit
(F C F C Dm Am F C )
Traditional
Intro: (Db Ab Db F# Ab Db)
(Db AbI)
nama om vishnu-pâdâya krishna-preshthâya bhû-tale
Our respects for him who at Vishnu's Feet, is dear to Krishna on earth,(Db F# Db AbI Db)
s'rîmate bhaktivedânta-svâmin iti nâmine R
and whose grace is called Bhaktivedanta, Swami.(Db AbI)
namas te sârasvate deve gaura-vânî-pracârine
Our respect unto you servant of Sarasvatî, preaching Caitanya's message,(Db F# Db G#mIDb)
nirves'esha-s'ûnyavâdi-pâs'câtya-des'a-târine R
delivering the West from impersonalism and voidism.
(Ebm Db Cdim Bbm Ab F# Ab Db)*
(Db AbI)
nama om vishnu-pâdâya krishna-preshthâya bhû-tale
Our respects for him who at Vishnu's Feet, is dear to Krishna on earth,(Db F# Db AbI Db)
s'rîmate bhaktivedânta-svâmin iti nâmine R
and whose grace is called Bhaktivedanta, Swami.(Bbm Ebm Ab7 Bbm Fm BbmAb Bbm)
namas te sârasvate deve gaura-vânî-pracârine
Our respect unto you servant of Sarasvatî, preaching Caitanya's message,
Exit:
Traditional
Intro:
Am G Am
(4X)
(C)
S'rî
Krishna Caitanya,
(FI)
Prabhu
Nityânanda,
(Dm
GII)
S'rî
Advaita, Gadâdhara, S'rî Vasâdi,
(Em F
C)
Gaur'
Bhakta Vrinda.
R
var.
Exit:
Am G Am
(4X)
Om Namo
Bhagavate Vâsudevâya
(My respects for
Vâsudeva, the Supreme Lord)
(traditional)
Intro:
(C Bdim Am G
C G C Am F G)
(C G I
Am)
Govinda
jaya jaya, gopala jaya jaya
R
(GIIIAm)
Râdhâ
ramana hari govinda jaya jaya
R
(GIIIFIIIGIII)
Govinda
jaya jaya, gopala jaya jaya
R
(GIIIFIIIGIII)
Govinda
jaya jaya, gopala jaya jaya
R
(GIC)
Râdhâ
ramana hari govinda jaya jaya
R
(From the beginning tempo 2, to the end:)
(C G I
Am)
Govinda jaya
jaya, gopala jaya jaya
(GIIIAm)
Râdhâ
ramana hari govinda jaya jaya
Exit:
(C Bdim Am G
C G C Am F G)
by: S'rila Vis'vanatha Cakravartî Thhâkur
(Mangala Ârati)
'Early morning song'
Intro:
(G F CIII F CII Dm Bb C F)
(1)
(F CI
F)
samsâra-dâvâvanala-lîdha-loka-
Man afflicted by the (forest) fire of existence,
(CI
F)
trânâya
kârunya-ghanâghanatvam
R
to deliver by the mercy of the Cloudlike (Lord).
(F BbII
CI Dm)
prâptasya
kalyâna-gunârnavasya
He obtained the best qualities, an ocean,
(Bb C
F)
vande
guroh
s'rî-caranâravindam R
to that teachers feet auspicious my respects.
(2)
(F CI
F)
mahâpraboh
kîrtana-nritya-gîta-
Mahâprabhu chants dancing, singing,
(CI
F)
vâditra-mâdyan-manaso
rasena R
while playing, a happy mind of the love.
(F BbII
CI Dm)
romañca-kampâs'ru-taranga-bhâjo
Hairs on end, quivering, (streams of) tears of feeling,
(Bb C
F)
vande
guroh
s'rî-caranâravindam R
to that teachers feet auspicious my respects.
(3)
(F)
s'rî-vigrahârâdhana-nitya-nânâ
The deities daily worshiped and
different,
(BbII
CI F)
s'ringâra-tan-mandira-mârjanâdau
R
the
lordships beautiful, the temple clean.
(BbII
CIDm)
yuktasya
bhaktâms' ca
niyuñjato'pi
Who engages his bhakta's and stays busy so,
(Bb C
F)
vande
guroh s'rî-caranâravindam
R
to that teachers feet auspicious my respects.
(F G F)
vande
guroh s'rî-caranâravindam
(BbII
CI F)
vande
guroh s'rî-caranaravindam R
(4)
(F CI
F)
catur-vidha-s'rî-bhagavat-prasâda
The four foodstuffs, holy, offered to Him,
(CI
F)
svâdv-anna-triptân
hari-bhakta-sanghân R
of tasty dishes, Krishna, pleases each bhakta.
(F BbII
CI Dm)
kritvaiva
triptim bhajatah sadaiva
Having made thus happy, always feeling,
(Bb C F)
vande
guroh s'rî caranâravindam
R
to that teachers feet auspicious my respects.
(5)
(F)
s'rî-râdhikâ-mâdhavayor
apâra
Râdhârani, Mâdhava unending,
(BbII
CI F)
mâdhurya-lîlâ
guna-rupa-nâmnâm R
together play meaning, form to the name.
(BbIICIDm)
prati-kshanâsvâdana-lolupasya
Who every moment aspires to relish that,
(Bb C F)
vande
guroh s'rî
caranâravindam R
to that teachers feet auspicious my respects.
(F G F)
vande
guroh s'rî caranâravindam
(BbII
CI F)
vande
guroh s'rî caranaravindam
R
(6)
(F)
nikuñja-yûno
rati-keli-siddhyai
For the perfect of their playful lovetime,
(BbII
CI F)
yâ
yâlibhir yuktir
apekshanîyâ R
whatever gopis arranged
to what they like.
(BbII
CI Dm)
tatrâti
dâkshyâd ati-vallabhasya
So very expert and loved in that connection,
(Bb C
F)
vande
guroh
s'rî-caranâravindam R
to that
teachers feet auspicious my respects.
(7)
(F
CIF)
sâkshâd-dharitvena
samasta-s'âstrair
See the Lord His quality, all scripture,
(CIF)
uktas
tathâ bhâvyata eva
sadbhih R
thus considered approved of by the saints.
(BbIICIDm)
kintu
prabhor ya priya eva tasya
As to the Lord as dear surely to him,
(Bb C F)
vande
guroh
s'rî-caranâravindam R
to that teachers feet auspicious my respects.
(8)
(F)
yasya
prasâdâd
bhagavat-prasâdo
Of whose grace is found the Lord His mercy,
(BbII
CI F)
yasyâprasâdân
na gatih kuto 'pi R
without his grace no progress at all.
(BbII
CI Dm)
dhyâyan
stuvams tasya yas'as tri-sandhyam
Reflect on, praise, his glory three times a day
(Bb C
F)
vande
guroh
s'rî-caranâravindam R
to that teachers feet auspicious my respects.
(F G F)
vande
guroh s'rî
caranâravindam
(BbII
CIF)
vande
guroh s'rî caranâravindam
R
Exit:
(G F CIII F CII Dm Bb C F)
by: Jayadeva
Gosvâmî
to the
text: S'rî Das'âvatâra Stotra
'Prayers to Lord Nrisimha'
Intro
(Dm C Bb Am Bb C Dm)(Dm AmIIDm)
namas te narasimhâya R
My reverence to You Lord Nrsimha,(Dm C Dm)
prahlâdâhlâda-dâyine R
who pleased Prahlâda Maharâj.(Dm AmIIDm)
hiranyakas'ipor vaksah- R
who Hiranyakasipor his breast,(Dm C Dm)
s'ilâ-thanka-nakhâlaye R
stonelike with His nails as chisels.(Dm AmIIDm)
ito nrisimhah parato nrisimho R
Here Lord Nrsimha, there Lord Nrsimha,(Dm C Dm)
yato yato yâmi tato nrisimhah R
wherever I go, there Lord Nrsimha,(Dm AmIIDm)
bahir nrisimho hridaye nrisimho R
Outside Lord Nrsimha, Lord Nrsimha in the heart,(Dm C Dm)
nrisimham adim s'aranam prapadye R
to Nrsimha the origin, the highest refuge, I surrender.----
(Dm AmII C)
tava kara-kamala-vare nakham
Your hand like a lotus beautiful(C Dm)
adbhuta-s'ringam
Your nails brilliantly pointed,(C Am II Dm)
dalita-hiranyakas'ipu-tanu-bhringam
ripped apart Hiranyakasipu, his wasp body.(BbI)
kes'ava dhrita-narahari-rûpa
Kesava Lord of man, took the form of a lion,(Dm AmIIC)
jaya jagadîs'a hare
all honor to the Lord of the Universe,(C AmII)
jaya jagadîs'a hare,
all honor to the Lord of the Universe,(Bb I C Dm)
jaya jagadîs'a hare R
all honor to the Lord of the Universe,-----
(Gm Dm)
jaya nrisimhadeva, jaya nrisimhadeva
All glories to Nrsimhadev, all glories to Nrsimhadev,(C Dm)
jaya nrisimhadeva, jaya nrisimhadeva R
all glories to Nrsimhadev, all glories to Nrsimhadev.-----
(Gm Dm)
jaya prahlâda mahârâja, jaya prahlâda mahârâja
All glories to Prahlâd Mahârâj, all glories to Prahlâd Mahârâj,(C Dm)
jaya prahlâda mahârâja, jaya prahlâda mahârâja R
All glories to Prahlâd Mahârâj, all glories to Prahlâd Mahârâj,Exit:
(Dm C Bb Am Bb C Dm)-------
'Krishna, the Original Personality of Godhead' to a text of the S'rî Brahmâ Samhithâ
(sung in unison)Intro;
(Dm Gm Dm C)(Dm Gm Bb C)
govindam âdi purusham tam aham bhajami
Govinda the Original Person I do worship(Dm Gm Bb C---)
govindam âdi purusham tam aham bhajami
Govinda the Original Person I do worship(Dm Gm Dm C)
govindam âdi purusham tam aham bhajami
Govinda the Original Person I do worship-
(F Gm C Dm)
venum kvanantaravinda-dalâyatâksham
Playing the flute, as blooming lotusses His eyes,(Gm C)
barhavâtamsam asitâm
A peacock's feather on top,(C Dm)
buda-sundarângam
His fine form like blue clouds,(Dm Gm F)
kandarpa-kothi-kamanîya
of Millions of Cupids His charm,-vis'esha s'obham (Bb A7)
His unique so lovely,-
(Dm Gm Bb C)
govindam âdi-purusham tam aham bhajami
Govinda the Original Person I do worship(Dm Gm Bb C---)
govindam âdi-purusham tam aham bhajami
Govinda the Original Person I do worship(Dm Gm DmC)
govindam âdi-purusham tam aham bhajami
Govinda the Original Person I do worship-
(F Gm Dm Gm FI C)
angâni yasya sakalendriya-vrittimanti
Whose limbs whose organs, possess all the functions,(Bb C Dm Bb)
pasyanti pânti kalayanti ciram jaganti
see, maintain, manifest for ever the universes.(Dm FI C Gm F)
ânanda-cin-maya-saduj-jvala-vigrahasya
Blissfull true, full of meaning, His form dazzling,-----
(C DmBb C)
govindam âdi-purushamtam aham bhajami
Govinda the Original Person I do worship.(Dm Gm Bb C---)
govindam âdi-purusham tam aham bhajami
Govinda the Original Person I do worship(Dm Gm Bb C)
govindam âdi-purusham tam aham bhajami
Govinda the Original Person I do worship
(Dm Gm Bb C)
govindam âdi-purusham tam aham bhajami
Govinda the Original Person I do worship(Dm Gm Bb C---)
govindam âdi-purusham tam aham bhajami
Govinda the Original Person I do worship
-----
(Dm Gm Bb C)
govindam âdi-purusham tam aham bhajami
Govinda the Original Person I do worship(Dm Gm Bb C---)
govindam âdi-purusham tam aham bhajami
Govinda the Original Person I do worship
by S'rî Caitanya Mahâprabhu
(melody by Anand Aadhar)
'The eight verses of instruction'
(1)
(Dm
- G F)
ceto-darpana-mârjanam
bhava
The
hearts' reflection purifying,
(CI
Dm)
-mahâ-dâvâgni-nirvâpanam R
of
matter extinguishing the fire,
(FI C
GI)
s'reyah-kairava-candrikâ-vitaranam
the
Blessing of white moonshine,
(Dm C
GI)
vidyâ-vadhû-jîvanam R
radiates
the being married to the soul.
(G F)
ânandâmbudhi-vardhanam
prati
A sea of
happiness expands,
(CI
Dm)
-padam
pûrnâmritâsvâdanam R
with
each step nectar giving the taste,
(FI C
GI)
sarvâtma-snapanam
param vijayate
for all
bathing the self in transcendence,
(Dm C
GI)
s'rî-krishna-sankîrtanam R
may
there be Krishna's singing together,
(2)
(C GI
Am Dm G II AmII)
nâmnâm
akâri bahudhâ
nija-sarva-s'aktis R
Holy
names manifested there many, all types of personal
prowess,
(Dm GII
Dm C)
tatrârpitâ
niyamitah smarane na kâlah R
given
therein and limited, remembrance out of time!
(C GI
Am Dm GIIAmII)
etâdris'î
tava kripâ bhagavan
mamâpi R
So
enormous Your grace, o Lord although my
(Dm GII
Dm C)
durdaivam
îdris'am ihâ-jani
nânurâgah R
misery
lies in the fact, not to be attached to that.
(AmI
EmI)
trinâd
api sunîcena R
As grass
treaded, still lower,
(GI
FI)
taror
api sahishnunâ R
as a
tree as tolerant,
(F I
Dm)
amâninâ
mânadena R
no false
pride and the mind subdued,
(C G C)
kîrtanîyah
sadâ harih R
thus
always I chant Your holy name!
(Am
DmI Am)
na
dhanam na janam na sundarîm R
No
riches, no followers, nor beauty,
(DmI
Am GI Am)
kavitâm
vâ jagad-îs'a
kâmaye R
the
fruit, nor almighty I long for.
(Am DmI
Am)
mama
janmani janmanîs'vare R
Birth
after birth My Supreme Lord,
(DmI
Am GIAm [C])
bhavatâd
bhaktir ahaitukî tvayi R
the
service without desire to You.
(5)
(Am
GI)
ayi
nanda-tanuja kinkaram R
O My
Lord, son of Nanda, your Servant,
(EmI
G I Am)
patitam
mâm vishame bhavâmbudhau R
fell
alas in the sea of ignorance.
(Am
GI)
kripayâ
tava pâda-pankaja R
The
causeless mercy of Your lotusfeet,
(EmI
GIAm)
sthita-dhûlî-sadris'am
vicintaya R
place me
there like some dirt as You please.
(AmIII
G F Em)
nayanam
galad-as'ru-dhârayâ R
Eyes
full tears, down in streams,
(Dm AmII
GII C)
vadanam
gadgada-ruddhayâ girâ R
my words
choked up in my mouth.
(AmIII
G F Em)
pulakair
nicitam vapuh kadâ R
The
hairs on my body stand on end,
(Dm AmII
GII C)
tava
nâma-grahane bhavishyati R
when the
singing of Your names takes place.
(7)
(Em Dm FI
EmI)
yugâyitam
nimeshena R
An aeon
takes me each moment,
(FI
DmI EmI G 7)
cakshushâ
prâvrshâyitam R
my eyes
crying like the rain.
(Em Dm FI
EmI)
s'ûnyâyitam
jagat sarvam R
Complete
empty seems the world,
(FI
Dm Em G 7 [C])
govinda-virahena
me R
Govinda
separated from You!
(GIII
Am GI C GI Am)
âs'lishya
vâ pâda-ratâm pinashtu
mâm R
Embraced
with joy down for Him, taking me over,
(GI
AmI Dm Em F C)
adars'anân
marma-hatâm karotu vâ R
not to
be seen, a broken heart, I let Him be.
(GIII
Am GI C GI Am)
yathâ
tathâ vâ vidadhâtu
lampato R
The way
He wants, He may proceed, me denied,
(GIAmI
Dm Em F C)
mat-prâna-nâthas
tu sa eva nâparah R
For life
my Lord, but Him alone, and no one else!
by S'rîla Narottama dâsa Thhâkur
honoring of the
spiritual master,
Prabhupâda ('master of the feet')
(from Prema-bhakti-candrikâ)
Intro:
(Dm Gm
C DmGm C Dm)
(1)
(Dm
GmI Dm, C Dm)
s'rî-guru-carana-padma,
kevala-bhakati-sadma R
The
teacher his lotus feet, the only way to devotion,
(GmI
C Dm)
bandô
mui sâvadhâna mate, R
full of
respect I bow, with prayer, reverence,
(Dm GmI
Dm, C Dm)
jâhâra
prasâde bhâi e, bhava toriyâ
jâi R
through
his grace my godbrother, we may cross the ocean,
(GmI
C Dm)
krishna-prâpti
hoy jâhâ ha'te R
reaching
Krishna from there you will realize.
(2)
(Dm
GmI Dm, C Dm)
guru-mukha-padma-vâkya,
cittete koriyâ aikya R
His
mouth like a lotus makes words, find union in the
heart,
(GmI
C Dm)
âr
nâ koriho mane
âs'â R
For more
may a spirit not desire.
(Dm
GmI Dm, C Dm)
s'ri-guru-carane
rati, ei se uttama-gati R
attached
to the teacher his feet,
is the
ultimate goal
(GmI
C Dm)
ye
prasâde pure sarva
âs'â R
his
grace is the fulfillment of all hope
(3)
(Dm C)
cakhu-dân
dilo yei, janme janma prabhu sei R
Someone
who made me see, life after life my lord,
(GmI
C)
divya-jñân
hride prokâs'ito R
the idea
of God revealed in my heart.
(Am
GII)
prema-bhakti
jâhâ hoite, avidyâ vinâs'a
jâte R
the
Loving service of whom, destroys all the darkness,
(GmI
C)
vede
gây jâhâra carito R
hailed
by the scriptures is his character.
(4)
(AmII
GII)
s'ri-guru
karunâ-sindhu, adhama janâra
bandhu R
Teacher
ocean full of mercy, with low and mindfull our friend,
(GmI
C)
lokanâth
lokera jîvana R
Lord of
all granting all a life,
(AmII
GII)
hâ
hâ prabhu koro doyâ, deho more
pada-châyâ R
O, o
master be of mercy, protect me at your feet,
(GmI
C)
ebe
jas'a ghushuk tribhuvana R
thus the
glory over the three worlds,
(GmI
C)
dui pade
laila s'arâna R
thus the
shelter of the feet,
(GmI
C)
prabhupâda-patita-pâvana R
Prabhupâda
savior of the souls.
(Gm
F)
jaya
prabhupâda, jaya
prabhupâda
(CI Dm)
jaya
prabhupâda, jaya
prabhupâda R
Exit:
(Dm Gm
C DmGm C Dm)
by: S'rîla Bhaktivinoda Thhâkur
(from Gîtâvalî)
(song sung before lectures)
Intro:
(Dm F C Dm Am C Dm)
(Dm F
I C Dm)
jaya
râdha-mâdhava
kuñja-bihârî R
Al
glories to Râdhâ and Mâdhava's divine
pastimes,
(Dm Am
II C Dm)
gopî-jana-vallabha,
giri-vara-dhârî R
The Lord
of gopi's lifted [up the hill] Govardhana,
(Dm C Dm)
Yas'odâ-nandana
braja-jana-rañjana R
dear to
Yasoda, loved in Vrindâvana,
(Dm Am C Dm)
yâmuna-tîra-vana-cârî R
at the
Yamunâ, He wanders in the woods.
From the
beginning tempo 2, and then:
(Gm Dm C
Dm)
HARE
KRISHNA, HARE KRISHNA
(C Dm)
KRISHNA
KRISHNA, HARE HARE
(Gm Ddim F)
HARE
RÂMA, HARE RÂMA
(C Dm)
RÂMA
RÂMA, HARE HARE R
(2x)
Exit:
(Dm F C Dm Am C Dm)
by: S'rîla Bhaktivinoda Thhâkur
"Nârada Muni Plays His Vînâ"
(from 'Gîtâvalî')
Intro:
(D A D G#dim Am D Em Bm)
(1)
(D
AI)
nârada-muni
bâ-ajây vinâ
Nârada
Muni sings with his vinâ,
(A D
AI)
'râdhikâ-ramana'-nâme R
Râdhikâ-Ramana,
Krishna's name.
(EIII
Am)
nâma
amani udita-a hay
As soon as he touches the strings,the beauty can be
heard,
(DII
EmII Bm)
bhakata-gîta-sâme R
and sing all devotees along.
(D AI
A)
amiya-dhârâ
barise ghana
Accompanied
by his stringed instrument,
(DII
A DII A)
s'ravana-yugale
giyâ
the
nectar of singing together resounds.
(EIII
Am)
bhakata-jana
saghane nâce
and all
devotees dance in ecstasy,
(DII
EmI Bm)
bhoriyâ
âpana hiyâ
to their
utmost satisfaction.
(2)
(D
AI)
nârada-muni
bâ-ajây vinâ
Nârada
Muni sings with his vinâ,
(A D
AI)
'râdhikâ-ramana'-nâme R
Râdhikâ-Ramana,
Krishna's name.
(EIII
Am)
nâma
amani udita-a hay
As soon as he touches the strings,the beauty can be
heard,
(DII
EmII Bm)
bhakata-gîta-sâme R
and sing all devotees along.
(D AI
A)
mâdhurî-pûra
âsava pas'i
Mâdhuri-pûra-nectar
drinking they are,
(DII
A D II A)
mâtâya-jagata-jane
dancing
in ecstacy like madmen.
(EIII
Am)
keho
vâ kânde, keho vâ
nâce
Some let
their tears run, others jump high,
(DII
EmI Bm)
keho
mâte mane mane
some
looking, are dancing in their heart.
(3)
(D
AI)
nârada-muni
bâ-ajây vinâ
Nârada
Muni sings with his vinâ,
(A D
AI)
'râdhikâ-ramana'-nâme R
Râdhikâ-Ramana,
Krishna's name.
(EIII
Am)
nâma
amani udita-a hay
As soon as he touches the strings,the beauty can be
heard,
(DII
EmII Bm)
bhakata-gîta-sâme R
and sing all devotees along.
(D AI
A)
pañca-vadana
nârade dhori
Lord
S'iva begins to speak, embracing Narada,
(DII
A DII A)
pre-emer
saghana-a rol
with his
voice choked.
(EIII
Am)
kamalâsana
nâciyâ bole
Also
Lord Brahma joins in,and shouts aloud:
(DII
EmI Bm)
'bolo
bolo hari bolo'
Sing of
Hari, sing of Hari.
(4)
(D
AI)
nârada-muni
bâ-ajây vinâ
Nârada
Muni sings with his vinâ,
(A D
AI)
'râdhikâ-ramana'-nâme R
Râdhikâ-Ramana,
Krishna's name.
(EIII
Am)
nâma
amani udita-a hay
As soon as he touches the strings,the beauty can be
heard,
(DII
EmII Bm)
bhakata-gîta-sâme R
and sing all devotees along.
(D AI
A)
sahasrânana
parama-sukhe
Gradually
also joins, Indra king of heaven,
(DII
A DII A)
'hari
hari' boli'gây
content,
dancing, singing: 'sing Hari',
(EIII
Am)
nama
prabhâve mâtilo vis'va
Thus
from above is heard, of God the holy name,
(DII
EmI Bm)
nâma-rasa
sabe pây
and the
whole universe becomes ecstatic .
(D A D
G#dim Am D Em Bm)
*
(5)
(D
AI)
nârada-muni
bâ-ajây vinâ
Nârada
Muni sings with his vinâ,
(A
AI)
'râdhikâ-ramana'-nâme R
Râdhikâ-Ramana,
Krishna's name.
(EIII
Am)
nâma
amani udita-a hay
As soon as he touches the strings,the beauty can be
heard,
(DII
EmII)
bhakata-gîta-sâme R
and sing all devotees along.
(D
AIIA)
s'rî-krishna-nâma
rasane sphuri'
That
Krishna's name thus may be sung by all everywhere
(D II
A DII A)
pu-u-râ'lo
âmâ-ar âs'
and the
whole world will be in bliss,
(EIII
Am)
s'rî-rûpa-pade
yâcaye ihâ
this I
pray at the feet of Rupa Goswami,
(DII
EmI Bm (last chord: Em))
bhakativinoda
dâs
then the
desire is fulfilled of Bhaktivinod
by: Narottama Dâsa Thhâkur
'Teachings for the mind'
Intro:
(Dm C7
C F Dm Gm Dm C Dm)
(1)
(GmIII
Am FIII GmIII
Am)
nitâi-pada-kamala,
kothi-candra-sus'îtala
R
Nityânanda's
lotus feet, protective moonshine, enormous
(F Dm C7 Am C
Dm)
je
châyây jagata
jurây
R
The
world gliding down, finds there it's enlightenment.
(GmIII
Am FIII GmIII
Am)
heno nitâi bine bâi, râdhâ-krishna
pâite nâi
R
Not
looking for that refuge, are Râdhâ and Krishna difficult
to approach;
(F Dm C7 Am C
Dm)
dri